Froggacuda
frog⋅gah⋅coo⋅dah
–noun, proper name.
1) An action figure from the Other World line of toys manufactured by Arco in the early 1980s
2) A foul-mouthed, mythical creature given to speaking bluntly and honestly, or, behaving like such a creature
3) Michael G. Murdoch
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It has been a hot minute since I have fired up the ol’ WordPress blawg and wrote myself a letter. This effort has an audience of one: myself, and once you accept that, it gets easier. In this feed- and filter-driven 24 hour news cycle of technology, when you are staring at a blank page, it is asking you to be creative and say something. Say anything. It is much better on a cosmic, spiritual scale to create content than to passively watch the social network feeds go by.
I used to write poetry and stories to capture what I was feeling. This “blog” is full of it; when I was unemployed I kept busy (because ADHD) by pumping tons of those “witless driblets” into this online database called WordPress from a stack of hand-written journals that I subsequently burned in the mountains and the deserts in campfires. They’re all now indexed Internet content and ashes. Ribbit. Fuck you. Enjoy.
Once upon a time I built pages for music I composed, wrote, played, produced, rapped and sang on. Labored over, instead of going to class or doing homework, I caught them on magnetic tape and transferred them to a computer. I figured out how to embed those songs here with a play button. I still have a couple of handwritten cassette tapes I can refer to for source material and memories. That includes a page for M0nster Zer0, a band I was instrumental in–ha, ha–when I was in high school.
I remember making DJ Lurk compilations every year for 15 years, many times multiple disc sets, of my favorite music and giving them out by the dozens for free. Custom, handmade printed paperboard CD case insets, printed on an inkjet, and CD-Stomping labels on them. Those comps keep me grounded, and company, because you should always make your own mix tapes.
I used to record two hour sessions of vinyl-spinning to capture all of my music collection the way that I heard it blending and surfing together. That’s how it was on Pete Tong’s Essential Mix program on Radio One: a two-hour uncensored journey. I made this effort because the Woodweaver gave me a Sony DAT recorder that could do two hours per tape; that was hot tech at the time, and I wanted to use it. There are 12 Essential Mix @ Mordenkainen’s Parlour tracks, labelled with exact dates. They have incredible power to return me to years ago.
More recently, with a MacBook Pro and a shitty pair of USB controllers attached to Traktor, I would record DJing live at the Edgemont Compound, the Isle of Lesbos, Below the Chateau, or at a Dirty Little Mansion. This content has names and maybe rough dates, but I was asked to show up and spin, so I did. I get to wonder who this particular character is, because I can’t believe that I produced that. But it is undeniably The Froggacuda.
So there it is as evidence: a poem, a mixtape, an occasion: captured somehow so that I have to go back and verify that it actually happened for my audience of me. Memories that are fleeting ghosts. Content that is hard and unrelenting to experience again and try to put into perspective in the present tense.
I was driving to work at Fortis Family on September 11th, 2001, just pulling into the parking garage around 8:45 am while listening to Neil Boortz on talk radio when he stuttered and went quiet for a long couple of seconds. He stammered unintelligibly, and then stated in an incredulous tone that he had just been handed a note: an airplane had crashed into one of the World Trade Center towers. I pulled into a parking space and turned off my truck, leaving the radio running. After verifying what I thought I had just heard, I sprinted inside the building and up four flights of stairs to the breakroom and turned on the television to CNN.
CNN video in progress
The network was scrambling to get any sort of information on what had just happened; news teams were mobilizing to get shots of the skyline of NYC where an appalling cloud of smoke was erupting from the side of the famous twin towers. The shock and horror was evident on the faces of the anchors that were struggling mightily to absorb and translate the chaotic eyewitness reports that were pouring in across all sorts of media. Other Fortis employees were passing the break room, and on inquiring why the TV was up so loud I solemnly turned and said “something terrible is happening”. Nobody left the small hallway-sized kitchen; my co-workers reacted in one of two ways: they either crowded in and stared dumbfounded as the shaky handheld videos started being rolled out onscreen, or they turned stark white and ran to get their mobile phones to call their family and friends in New York. I distinctly remember someone asking desperately “which tower? WHICH TOWER!” because they knew a number of people at one of the insurance firms at the intersection of Liberty and Church Streets.
Fortis Family occupied half of the fourth floor of the building, probably 35 or 40 total employees, and most everyone was packed into the break room. Since I was the first person in, and closest to the TV, I was repeating the most concrete information that I had heard over every two or three minutes to keep new arrivals informed as more people crowded into the small space. Just after 9 am, we all witnessed the live reports that a second plane had flown into the South Tower. In the stunned silence, broken only by the horrified stammering of the news broadcast, I turned to my fellow IT Project Leader Ben Leslie and said “this is not an accident; this is deliberate…”
Front license plate on the old Nissan since 9/11
After verifying that the second plane wasn’t some sort of sick joke or acid flashback, I hurried outside to smoke and I called my parents in San Diego. It was quarter after 6 am on the West Coast and I shouted into the phone to get out of bed and turn on the television. My mom, struggling to wake up, said she’d have my father turn on the TV. I called my brother Kyle, who travels to NYC often — he was in Las Vegas, luckily, and left him an urgent message; later I found out he had several friends from Stanford that perished in the destruction. After sucking down several coffin nails in a row, I went back upstairs to the break room, shouldering my way back into a space where I could see and hear the unbelievable efforts of CNN anchors who were barely keeping it together while trying to report this ghastly event in real time. I made it back up in time to hear the rumor, then confirmation, that a third plane had hit the Pentagon and that a fourth–and possibly a fifth and sixth–plane had been hijacked: targets, unknown. As news crews and amateur videos flooded in, there were gasps and cries as we witnessed people hanging out of twisted steel windows waving clothing and to try to get help, and eventually, bodies plummeting dozens of stories downward as people jumped from those windows. Some people fled to their offices and cubicles, tears streaming down their faces; others were desperately trying to get through to loved ones, only to receive “all circuits are busy”. Others shuffled away in stunned silence. A couple people were praying.
Best newspaper headline of them all
By 10 am, the break room had mostly cleared out. People were trying to figure out what to do in order to make sense of what they had seen. Some were trying to go back to work; others were huddled in little groups throughout the fourth floor talking in hushed tones, some comforting others. I have an unhealthy interest in catastrophic events, and I knew that there was no fucking way I was going back to work. In fact, I was planning to leave for home to be able to use my home computers and televisions to gather as much information as possible at once as this was happening. I can’t remember exactly who the four or five people were in the break room with me — I think Art Saul was there — when the South Tower collapsed in a slow motion rush of almost graceful destruction. The wall-hung 27″ TV could not adequately contain the shaky on-the-street footage of the most horrifying thing I have ever witnessed in my life. Every person in that room was transfixed in sheer awe; there are not words to describe the scant 10 seconds it took for the building to irrevocably change the NYC skyline by plunging millions of tons of concrete and steel downward “almost a quarter of a mile” into a choking, billowing cloud of debris that flooded the streets and overwhelmed the cameraman. Somebody screamed in the break room. Co-workers came running. We could only point at the screen with mouths agape. Someone said “it’s just gone!” Someone else sobbed; “oh my god there were people in there!”
The subsequent images on that TV were mind-numbingly awful: people covered in dust and detritus stumbling out of the surreal darkness; people on the street who were watching fleeing the scene. Reports of casualties kept flooding in; they were too much to absorb: firefighters, police, Port Authority…and regular people. Flight 93 went down in Pennsylvania; the Pentagon was on fire; rampant speculation on who was behind this monstrous — and now apparent — acts of gruesome terrorism. There were many more people in the break room when the North Tower collapsed at 10:30 am, and I am certain that some of them did not believe that the first tower had crumbled. I couldn’t take any more; I left work and went home.
President GWB delivering his infamous megaphone speech on 9-14-2001
I didn’t turn my television off for hours and days. I watched the Congress of the United States, helpless and trying to lead a country rocked with multiple simultaneous attacks spontaneously sing “God Bless America” on the steps of the capital live on national television. I remember the President stating through a bullhorn “I can hear you! I can hear YOU! The rest of the world hears you! And the people — and the people who knocked these buildings down will hear all of us soon!” American flags and related items cleared the shelves. The stories of bravery and heroism continued to pour out of the news channels; hundreds of emergency personnel rushing back into the fray to rescue complete strangers; the ultimate sacrifice documented by cellular phones from Flight 93 who apparently rushed the cockpit with a drink cart to force the hijackers to plunge the plane into the ground rather than the nation’s capital as is the speculated target; a dead and injured toll that kept ratcheting up and up until it was too much for anyone, anywhere, to bear. And America set aside all of these petty differences we endure today, 10 years later, and in the face of horrific tragedy, we were a unified nation. True patriotism by 100% of the American people had not been challenged — nor demonstrated — in that same way since Pearl Harbor, and these were not military personnel: these were regular people like you or I going to their regular jobs and going home to their regular families in their regular neighborhoods.
The original version of the cover of In Memoriam
10 years later the political rhetoric has ratcheted up to where the rest of the world believes that we are paralyzed and divided. Even the events of 9/11 are being politicized and leveraged in the never-ending pursuit of political power, monetary gain, and network ratings. This is the ever evolving “normal state” of the USA; our 24 hour news cycle and the advent of all of this real-time 21st century technology allows us to air our dirty laundry constantly in 160 characters or less all of the time. Do not make the simple mistake that America is divided or paralyzed. This is democracy across a federation of 50 states, and the most successful democracy the world has ever known. On the 10 year anniversary of 9/11, I would present to you this very hallowed advice: do not fuck with the United States of America. It may take ten years and thousands of our people’s lives and millions of dollars of spending, but as one of our Presidents stated:
“Make no mistake: the United States will hunt down and punish those responsible for these cowardly acts.” ~George W. Bush
In the days and weeks following 9/11, I collected a huge number of nameless “basement” DJs and producers trying to express their feelings about this event, using songs that have deep meaning and laboriously, lovingly, and respectfully laying in samples of the newscasts that we witnessed that day. It is the innovation and leadership that I expect of my fellow Americans; all I have done is kept these archives for 10 years to share with you now. This is why my alter ego DJ Lurk will never produce any compilation that compares at all with this one: 09-11-01 In Memoriam. I hope this is my most-found blog post. I hope someone makes a lesson plan for high schoolers out of this. I hope Anderson Cooper calls me to interview me for my perspective. I hope that our political leadership downloads this entire album and it becomes required listening. I hope that the people who built these incredibly moving, inspiring, and truly important works of art find this and I can tell you that I love you for these tracks. I have blasted them out of my significant stereo system every September for a decade.
TL;DR: Listen to the first track, below: Faith Hill’s version of The Star Spangled Banner (WTC Mix) and see if you want to hear the rest.
DJ LURK — 09-11-01: In Memoriam
Faith Hill – The Star Spangled Banner
Blessid Union of Souls – I Believe
Live – Lightning Crashes
Collective Soul – The World I Know
Creed – Higher
Don Henley – New York Minute
Annie Lennox – Why
R.E.M. – Everybody Hurts
U2 – Stuck in a Moment
Live – Overcome
Sarah McLachlin – Angel
Higher Faith – Angels in Heaven
Splendor – God Can Explain
Jo Dee Messina and Tim McGraw – Bring on the Rain
Leeann Rymes – Please Remember Me
Jewel – Hands
James Horner – My Heart Will Go On
Lee Greenwood – God Bless the USA
Enya – Only Time
Here is an extra-special bonus clip: Depeche Mode did a little seen promo video for Enjoy the Silence on top of the World Trade Center in 1990.
I finally got over my “this is not perfect yet” drive to post this. And yes, I know exactly where the blemishes are on this comp, but if I don’t just get it out there, I’ll stall and bluster and not deliver. Warts and all, here is #15 from DJ Lurk.
Download the files to import to your media player or rip the two CDs to your own media from the Virtual Lilypad Mobile Me: DJ Lurk – FESTIVUS.
TRACKLISTING:
DISC 1: The Airing of Grievances
Linkin Park – Wisdom, Justice, and Love
Chicane – What Am I Doing Here? (Part 1)
BassNectar – Bursting
Lady GaGa – Eh, Eh (Nothing Else I Can Say) (Piano and Human Beat Box Version)
Keane – Perfect Symmetry (Live at the CherryTree House)
The Killers – Read My Mind (Like Rebel Diamonds Mix)
Electronic – For You
Jackson 5 vs Third Eye Blind – I Want You Back vs Semi-Charmed Life
Jay-Z featuring Alicia Keyes – Empire State of Mind
King Fantastic – Why? Where? What?
Chiddy Bang featuring MGMT – The Opposite of Adults (KIDS)
DJ Steve Porter featuring Katt Williams – Weed Remix
Cee-Lo Green – Fuck You (Le Castle Vania Remix)
Natasha Bedingfield – Frogs and Princes
Lady GaGa – Bad Romance (Chew Fu Remix)
Jay Sean featuring Nicki Minaj – 2012 (It Ain’t the End) (Ultimix)
Far East Movement featuring Cataracs – Like a G6 (Disco Fries Remix)
Make the Girl Dance – Baby, Baby, Baby (Black Block Remix)
Lady GaGa – Boys, Boys, Boys (Manhattan Clique Remix)
DISC 2: The Feats of Strength
Katy Perry featuring Snoop Dogg – California Gurls (Inner Party System Remix)
Ke$ha – Your Love Is My Drug (C-Rok RokCouture Remix)
Beyoncé – Ego (Ultimix)
Timbaland featuring Katy Perry – If We Ever Meet Again (Chew Fu Ultimix)
Lady GaGa – Alejandro (Afrojack Remix)
Taio Cruz – Dynamite (C-Rok RokCouture RePro V3)
Bruno Mars – Just The Way You Are (Smart and Westfunk Ultimix)
Chicane – Poppiholla (The Thrillseekers Remix)
Plumb – Hang On (Ultimix)
Kaskade and Deadmau5 – Move For Me (Remix by FSG)
The Divinyls – I Touch Myself (Love II Infinity Remix)
Depeche Mode – Halo (Austin Leeds and Christian J Main Mix)
Hybrid – Break My Soul
Recoil – Faith Healer (Conspiracy Theory)
As usual, there are a whole bunch of influences to thank for finding these phresh tracks, starting with S.A.T., whom I love dearly, not least for her taste in music old and new. Other contributors include brothers T-Boz, Kleptus, Moonbow, and Jamie & Sioux; Pat and Scot from Stay Classy who do good work every day besides noting dope tracks; DJ Hero from Activision for doing a superb job getting real turntablists to influence the next generation with kickass games — they’ve come a long way from Atari cartridges; my main man C-Rok who crushes shit better than established remixers, the Ultimix family, The CherryTree House for providing that uniquely awesome recording venue, King Fantastic for restoring my faith in that SoCal gangsta shit, Lady GaGa whose preponderance on this comp is easily surpassed by her support of the Little Monsters (of which I am one), my brothers Kyle and Jon who got married in 2010 (FINALLY!), the one-of-a-kind vision and autotune skills of DJ Steve Porter who went on to rock the NBA Finals among other brands, the DJ / Producers that keep it fresh: Chew Fu, Afrojack, Kaskade, Deadmau5, and Pete Tong’s Essential Mix; and last-but-in-no-way-least my version of Charlie’s Angels: Brooke Lee Adams, Gracie Glam, and Kristina Rose.
Of course, the people that make this go are the original artists, whose rights are completely reserved; this is for promotional purposes only. Go buy music! I am always awed by having to decide what to include on the yearly comp and in what order it is supposed to be in so that I can recreate the spray-Pledge-on-the-hardwood-floors-and-dance-in-your-socks feeling that I got listening to these tracks all year long. Make time to share, dance, and relax while you enjoy this latest installment by DJ Lurk. I have big love for you all. PEACE!
That’s a lot of work. I sortof miss doing the fun stuff, like designing the covers and labels I used to do, but that’s even more work. Here’s the list of the main compilations from DJ Lurk in chronological order.
1996 – DJ Lurk – Excursion on the Version (1 x 90 min cassette, mixed)
1997 – DJ Lurk – Volume 0 (1 x CD)
1998 – DJ Lurk – Volume 1 (1 x CD)
1999 – DJ Lurk – Volume 2 (1 x CD)
2000 – DJ Lurk – Volume 3 (2 x CD)
2001 – DJ Lurk – Volume 4 (2 x CD)
2002 – DJ Lurk – Volume 5 (2 x CD)
2003 – Deceptikons – ElektroBubbleGum (2 x CD, mixed)
2004 – Deceptikons – Obey (3 x CD)
2005 – Deceptikons – Destroy All Monsters (2 x CD)
Doing some last minute audio cleanup on The Airing of Grievances and the Feats of Strength for release later this month. Anyone else out there still have old physical media? Big Love from DJ Lurk.
The 2009 compilation — called UP and DOWN — is now available for download. In the spirit of consuming less physical resources, this is the digital distribution; download and burn at your convenience. There are two discs, each of which will fit on an 80 minute audio CD, so feel free to rip your own copies for the car, boat, etc.
For those of you not familiar with my DJ Lurk persona and his obsessive music hobby, he is in the habit of releasing a compilation of the songs, both old and new, that topped his personal charts over the course of a year. Since it is boring to include the same old version you hear all the time, extensive work has gone into hand-selecting face-melting remix versions, so even if you can’t stand Katy Perry or Natasha Bedingfield, give it a whirl anyways. Enjoy!
You can download the zip file here (right-click and save as…231.4mb).
TRACKLISTING:
DISC ONE: DOWN
01 Steve Jablonsky – Decepticons
02 Depeche Mode – Walking in My Shoes (Ambient Whale Version)
03 Oasis – Wonderwall (Full Tilt Remix)
04 Coldplay – Life in Technicolor
05 Maroon 5 – Wake Up Call (Ultimix)
06 T.I. featuring Rihanna – Live Your Life (Ultimix)
07 Keri Hilson featuring Lil Wayne – Turnin’ Me On
08 Kid Cudi featuring Kanye West and Common – Make Her Say
09 The Fixxers – Can U Werk Wit Dat (Funkymix)
10 Ray J featuring Yung Berg – Sexy Can I (R.E.E.O. Mix)
11 David Banner featuring Chris Brown – Get Like Me (Funkymix)
12 50 Cent vs Nine Inch Nails – In Da Club (Scooter’s Closer Mix)
13 Fergie vs The Violent Femmes – London Bridge (DJ Yoda’s Blister in the Sun Mix)
14 DJ Jazzy Jeff and the Fresh Prince – Megamix
15 Lonely Planet featuring T-Pain – I’m On a Boat
16 LMFAO – Girl Can’t Help It (Funkymix)
17 Lady Gaga – Poker Face (X-Mix)
18 P!nk – So What (Ultimix)
DISC TWO: UP
01 Peter Luts and Dominico – What a Feeling (X-Mix)
02 Eric Prydz – Call on Me (Radio Edit)
03 Keri Hilson – Energy (Ultimix)
04 Beyonce – Diva (Red Top Mix)
05 Nadia Ali – Fine Print (Serge Deviant Radio Edit)
06 Katy Perry – Waking Up in Vegas (Manhattan Clique Bellagio Remix)
07 Nic Chagall featuring Jonathan Mendelsohn – This Moment (Prog Mix Live Edit)
08 Tiesto and Sneaky Sound System – I Will Be Here (Wolfgang Gartner Remix)
09 Frou Frou – Breathe In (Watkins Vocal Mix)
10 Chicane vs Natasha Bedingfield – Bruised Water (Michael Woods Full Vocal Mix)
11 R.E.M. – The Great Beyond (Hybrid Mix)
12 Underworld – Rez-Cowgirl (Live at Creamfields 2003)
Compilation is (C) 2009 Impeccable Taste, Inc. ALL RIGHTS RESERVED BY THE ORIGINAL ARTISTS. Special thanks to S.A.T., Delvin, BunnyKitty, Woodweaver, T-Boz, DJ Yoda, Scooter, Radio 1’s Essential Mix, Pete Tong, The Green Teem, and all of you who move and inspire.
Some tracks just resonate with you. These are the ones that get stuck in your head, or you find yourself quoting lyrics from them, or — the most telling tale — you keep playing them over and over again because they move and inspire, as Landmark Education would describe this feeling. That’s why I make “compilations” of tunes every year; even the year I said I was going to stop making compilations, I made a compilation. I just didn’t make physical copies with custom covers and inserts and liner notes, which takes hours and days and months to perfect, in 2008 or — most likely — in 2009. I give them away for free because they’re my way of communicating. It’s a way to say something along the lines of “here’s what I played for myself all of this year; hope you like some of it” in a palpable format.
What’s a real trip is letting this sink in: I have been making these compilations every year for 12+ years now. That is just a count of the official, main compilations; sometimes more than one disc, but always tuned to fit on an audio CD (OK the Old Skool Hip Hop McGee Mix can’t, but there are always exceptions). There are adjunct comps, live mixes, bootlegs, extra cuts that couldn’t quite make it, times I didn’t record while spinning to an international audience on the Mordenkainen’s Parlour stream, and practice stuff — some of which I recorded and some of which I didn’t.
When engaged in the constant act of choosing music you like for 12+ years on a day-by-day basis, you know what you like and what you don’t like. Everybody does that. That is why everybody is a DJ. The crucial difference is that I recorded it. This fact sets me apart from the rest of the amateur record-scratchers and mix-tapers. Why don’t you go pull out one of your old mix tapes or CDs, or an old .m3u playlist and try to understand what you were thinking about when you felt passionate — or bored — enough to actually press the record button and pick some songs in a particular order. Or did you give them all away to potential booty calls?
Songs become old friends when you play them enough. Ensconced between the lyrics and the bassline, the drums and the swells, a personal soundtrack has embedded itself into the fabric of the music. Playing certain tracks is evocative to you in a way that nobody else is going to get just like you. Sharing these particular musical missives with others is, I believe, a fundamental art form. That’s why I do it.
So when I spend hours listening to my compilations, in order or on shuffle play, it has become something akin to going to church. The best way that I can be a Shaman for everyone is to bring something back; that is certain compositions of music, perhaps in a certain order. I love these sermons. Because I recorded them myself of myself in space and time. When I press record, I realize that it is a positive, creative, wonderful thing that I have the cojones to take a deep breath and go live for posterity.