Posts Tagged ‘Blog’

It has been a hot minute since I have fired up the ol’ WordPress blawg and wrote myself a letter. This effort has an audience of one: myself, and once you accept that, it gets easier. In this feed- and filter-driven 24 hour news cycle of technology, when you are staring at a blank page, it is asking you to be creative and say something. Say anything. It is much better on a cosmic, spiritual scale to create content than to passively watch the social network feeds go by.

I used to write poetry and stories to capture what I was feeling. This “blog” is full of it; when I was unemployed I kept busy (because ADHD) by pumping tons of those “witless driblets” into this online database called WordPress from a stack of hand-written journals that I subsequently burned in the mountains and the deserts in campfires. They’re all now indexed Internet content and ashes. Ribbit. Fuck you. Enjoy.

Once upon a time I built pages for music I composed, wrote, played, produced, rapped and sang on. Labored over, instead of going to class or doing homework, I caught them on magnetic tape and transferred them to a computer. I figured out how to embed those songs here with a play button. I still have a couple of handwritten cassette tapes I can refer to for source material and memories. That includes a page for M0nster Zer0, a band I was instrumental in–ha, ha–when I was in high school.

I remember making DJ Lurk compilations every year for 15 years, many times multiple disc sets, of my favorite music and giving them out by the dozens for free. Custom, handmade printed paperboard CD case insets, printed on an inkjet, and CD-Stomping labels on them. Those comps keep me grounded, and company, because you should always make your own mix tapes.

I used to record two hour sessions of vinyl-spinning to capture all of my music collection the way that I heard it blending and surfing together. That’s how it was on Pete Tong’s Essential Mix program on Radio One: a two-hour uncensored journey. I made this effort because the Woodweaver gave me a Sony DAT recorder that could do two hours per tape; that was hot tech at the time, and I wanted to use it. There are 12 Essential Mix @ Mordenkainen’s Parlour tracks, labelled with exact dates. They have incredible power to return me to years ago.

More recently, with a MacBook Pro and a shitty pair of USB controllers attached to Traktor, I would record DJing live at the Edgemont Compound, the Isle of Lesbos, Below the Chateau, or at a Dirty Little Mansion. This content has names and maybe rough dates, but I was asked to show up and spin, so I did. I get to wonder who this particular character is, because I can’t believe that I produced that. But it is undeniably The Froggacuda.

So there it is as evidence: a poem, a mixtape, an occasion: captured somehow so that I have to go back and verify that it actually happened for my audience of me. Memories that are fleeting ghosts. Content that is hard and unrelenting to experience again and try to put into perspective in the present tense.

Is this thing still on…?

The OTHER Virtual Lilypad

Posted: December 14, 2011 in Tumblr
Tags: , , ,

…is on Tumblr. http://www.tumblr.com/blog/froggacuda

I have ranted before about this strange drive I have to create things. Being digital has helped a lot, because I can perform magick tricks that were only in my head–or I didn’t think I had the chops to do–and send them out into the world as my little wind-up creatio

n and see where they ended up. Case-in-point: my buddy Miguel runs an awesome blog/podcast/site called The Monster Island Resort Podcast. It was his birthday. Through FB, he asked what his “monsters” were going to do for his b-day. I suggested in a comment a Photoshop-Miguel-into-vintage-movie-posters contest. I really thought the amateur PSers would come out of the woodwork. Apparently, it is not such a common skill

Miguel vs Monster Zero

Miguel vs Monster Zero

; this means I am taking my own proficiency for granted. Far be it from me to suggest a contest without participating; I threw together a pic of Miguel laughing via screencap off of his FB and Google Image searched for some Godzilla movie posters. A few minutes in PS later, and I sent the composite up to Imgur and posted the link back to his FB wall. Lo and behold: I won the contest! He posted it up in his FB album. My artwork is now–briefly–his FB icon. I laugh every time I see it, and I brought a friend some birthday magick.

Because I PRESSED RECORD.

I am still sortof blown away that I have written poetry for something like 25 years (not so much lately), and I have 15 consecutive years of doing music compilations. I am listening to my record collection that Kleptus and Moonbow helped me move into my spare bedroom after 2 years of rotting in my garage, and every song I hear is a message I had left behind for me to discover later on. This funk phenomenon has happened to me many times over the year. It is why I am passionate about creating. “I’m not bragging; I’m confessing” ~King Fantastic

My last entry was So You Think You Can Blog. No matter how many people think that I was somehow commenting on their efforts (or lack thereof), this was nothing more than a message to myself that I will be able to discover again and again when I decide to do the painful process of reviewing shit that I have already created. I made a Nu Decade resolution to myself to blog once a week; I’m supposed to use Sundays–it’s on my personal Google Calendar. My phone blows up with SMS reminders. I’m trying to convince myself that uploading and tagging camping photos to Facebook with witty captions somehow absolves me of blogging that week. Because it is fuckin’ hard.

The Turntables are Alive!

The legendary Studios of Doom be alive and kickin'!

The more you create original content–in whatever media you choose–the more you attract people who feel that it is a breath of fresh air because it is not recycled: it is actually new. This is the act of creation. Press record. Put it out there. What do you really have to lose? How big is your audience, really? If you’re scared that someone is going to dig up some Tweets or a blog you wrote weeks or months or years ago, then you need to reconsider what you stand for. Although there is an unsettling–creepy and threatening, really–trend to use interconnected networks on the Internet to squelch your individual voice, you HAVE one, and it is your human duty to exercise it across ALL media. It’s called integrity, and it leads to serenity in troubling times because it gives you confidence. And if you can capture–or bottle–some of that in a blog post, or a mix CD, or a painting; work on a vehicle or a piece of furniture; a biz plan outline, a stream of photographs, a poem, an essay, a sketch…comprehend that it is creation and you are creating it. The world ALWAYS needs more content!

I am old enough to remember when the drum machine and the synthesizer appeared in the music market. The critics opined that now you don’t have to hire a drummer, or a string quartet, or a horns section. Then digital recording came along; now you didn’t have to rent an entire studio; you could four-track in your folks’ basement. Then came the worst evil of all: the sampler. Just go ahead: rip-off and re-use any break you could load into the computer. Music has not suffered from these advances; it has grown and proliferated and been brought to the masses. Anyone with a mind of their own now can Garage Band themselves into the public’s eye. I have to applaud the effort–or luck–that it takes to leave a message that potent in the past for yourself: you get to live with it. Did you fuck your brand up? Probably not; in fact, I bet you built it–it’s like character.

Going back through old mixes and compilations and poems and stories, I am certain that I am continuing to be sincere and amazing. It is important that I recognize that these creations are love-letters I am leaving myself; it does not matter that sometimes I feel like I have an audience of one. Someday, I might have an audience of one more: some other creature that gains knowledge or strength or spirit from some message that I have left for myself. I certainly gain wisdom, knowledge, and opinions–experience points–from other people’s efforts on- and off-line. That’s icing on the cake.

I get a lot of questions about how to start one’s own website because I am that sort of nerd. This is partially due to the fact that I have owned froggacuda.com for almost 20 years now, and have had a web presence at or around that domain / name / moniker / handle for just as long. As King Fantastic says, “I be go to hell before I fuck my brand up”. I have spent just as long trying to figure out not just what my brand represents, but what I stand for — it’s part of being a human being if you think about it. You have a brand; it is you. You’re unique in this world, and you’re the subject matter expert on you, so you’d better get to work figuring out what that brand is. Maybe you should write a manifesto. I’d just recommend that you do it privately so that you can see how goddamn hard it is to sit down and write a blog post with an audience of 001: you. Because nobody else is really going to care. Ever. Not like you care about it: you expressed yourself. Maybe even like Salt N Pepa.

Status messages, actually, are the new blog. Twitter defined the concept of value in 140 characters or less, and the platform totally suits the sound byte culture of ADHD that is the norm now. I seriously believe that having ADHD is actually an evolutionary advantage, not a “disorder” nor a “deficit”. The beauty of cheating at your blog or your website (they’re interchangeable terms now) is that you can plug your Twitter stream-of-consciousness in as a sidebar (there! module top left!) and it updates your site. That is, if you Twitter more than you blog.

Lady Gaga as Queen of Hearts

Lady Gaga as Queen of Hearts

Here is the fundamental rule for the 21st century: whatever it is you have to say, I’ll be interested if you add value to my life. This is an important concept to catch, because of its corollary rule: Content is King. Certainly, appearance and functionality is Queen, but without valuable content, you can go fuck yourself and your fancy interactive 3D website or application. It does not add any value to my life besides a fleeting and forgotten sense of “that’s sortof cool”. That is Milli Vanilli value — the sort of thing that one-hit-wonders are made of. I’m too sexy for my shirt. I’m on a horse. Where’s the beef?

Poet Philip Larkin

Poet Philip Larkin

Do you know why I write? Because I am fuckin’ good at it. My Mom tells me so. My friends tell me so. My stats, no matter how pathetic, tell me so, because random people are stumbling across my content and commenting on it, and “like” buttoning it, and retweeting it, because by definition, it is original content for free and these entities are finding value in it. One of the most consistently hit posts I have made is a poem imitating Philip Larkin’s “And The Wave Sings Because It Is Moving“. Don’t ask me why, because I have NO IDEA; it’s mediocre poetry for me and that’s ME commenting on my own work. Remember: you are your own subject matter expert. Isn’t that why you got an e-mail address, and a WordPress site, and paid for a domain name, and hosting for the website, and set up your Etsy or CafePress e-commerce, and got a PayPal account and an eBay storefront and a matching Twitter handle; your LinkedIn and Facebook custom URLs are configured to represent that same nickname or persona that you casually developed years ago?

Stats 2011-03-08 at 9.32.08 PM

Stats 2011-03-08 at 9.32.08 PM

So you think you can blog. Well, write something interesting. Post photos that are thoughtful. I want to giggle or WTF or click on your status message and go somewhere I wouldn’t have normally browsed to. Make me LOL, or say WTF, or go “dawww!” Contribute something to me that will make me appreciate you and your unique point of view. Otherwise, STFU; I have a cornucopia of other feeds and stimuli that are working harder to catch my attention. Which has a span of short. I can barely pay it.

Do you know who has a brand? Lady Gaga. I fucking adore her; she is unashamedly her own self-generated brand. She works really, really hard at maintaining that brand, and as a consequence, 40-year-old fans like me are wearing a glow-in-the-dark LGG rubber bracelet on our wrist. OK mine is special: it was given to me by my goddaughter Tyler Rae who commented that although she bought it for me, she didn’t think I’d wear it. I haven’t taken it off yet, not even to shower.  Stefani Joanne Angelina Germanotta acknowledges that she cannot leave the house without becoming Lady Gaga due to her role in the world at large; this construction is moving and inspiring my godchildren and literally millions of her fans – Little Monsters — worldwide and possibly throughout the galaxy if you’ve seen her latest video for “Born This Way“.  Hahaha! She presents her manifesto!

Lady Gaga + Kermit the Frogg

Lady Gaga + Kermit the Frogg

This is the best example I can make of that ridiculous Supreme Court ruling that a corporation is a person. LGG should incorporate as a single owner ASAP to take advantage of this idiocy that is destroying America as I knew it: she could then hire lobbyists and really get to changing the world. If Arnold can win two terms as ‘Governator” of the most productive state of the union, then Lady Gaga can win the first female presidency. Because she has a brand, knows how to flaunt it, and then leverage the results, both good and bad. She just smacked Target to the curb because of a couple of questionable donations.

Lady Gaga is an over-the-top example because she’s…well, over-the-top. But that does not mean that her example should be lost or dismissed: she is representing herself, her brand, her persona, and — as a matter of fact — I know quite a few people who are actually representing themselves well on the wild blue yonder that is the Interwebz. Here’s a few of them; for other examples, check out any of the Blogroll to your left.

  • My Aunt Flo’s Etsy site, KnowYourFlo, a collections of totally awesome vintage sewing patterns that are one facet of an extraordinary woman
  • Valancy Jane’s CafePress site, Vjanity Faire, which features her signature phrase “hello pigeons” — I’m one of those too; the merit badge is proudly displayed next to my LGG Little Monsters one
  • Kristina Rose proves she’s more than just an “LA Face with an Oakland Booty” on her blog — not that we’re complaining about the latter two, but her street smarts and opinion are just as attractive
  • J.A. Huffman’s venture Surface Furniture, where one man takes visions out of his skull and crafts them in wood and metal and sustainability and dreams
  • J-Moon’s RX Earth consultation creation — he passionately believes we can heal this planet and shift the paradigms now rather than later by being smart about living
  • I also have a couple of other naescent projects up my sleeves that are vaulting on to the stage soon
Table by Surface Furniture

Table by Surface / photo: Jen Jansen Photography

You have no idea, unless you have done it yourself — or attempted to do what it takes to actually run, write, maintain, and promote a simple web address, much less run an entire brand by yourself. It is exhausting, and you can get lost in your perfection and never publish anything. I’ve been there, with a private folder full of ‘drafts’ and too scared that it wasn’t good enough to actually press record — in this case, go ‘live’ and throw some content out there. For an audience of, potentially, one. Everyone wants content, but I imagine that the average person struggles hard when actually trying to produce some. I am serious, this writing that you love takes a lot of love from me: let’s see you do it. I want to come back in a few weeks or months or years and read what I wrote just now and think that, like Eliza Dushku or another one of Josh Whedon’s Dolls, I was my best. What’s in your manifesto?

It is easy to set up a blog nowadays. It gets harder every day to find something worth reading, laughing at, or marveling over. But I think that part of playing things forward is the word-of-mouth status message to alert your peeps that this might be worth checking out. If anyone — even me — takes the extra time to turn it into a blog post, then we should consider this 21st century art. I salute anyone else who is actively participating in the stream of consciousness that is the tsunami of information that is online every second, constantly changing and continually being added to. I just have one request: don’t be afraid to throw some value into the maelstrom: become part of what is being created.

You can blog: now go do it!

I can’t count the number of times I have exhorted myself to sit down and write on this damn blog. I sit in front of wonderful technology, with multiple screens, and everything that I need literally at my fingertips, and I can’t do it. As I age, I feel myself becoming more careful, more conservative. I think I have figured out part of it: now that I have a platform that is beyond scribbling in a spiral notebook, or sketching on the beach in an art pad; drawing on big sheets of paper while bored in class or even pecking away at a keyboard into AppleWorks, I am aware that I have an audience. And that’s frightening. I don’t want to let you all down.

And that, my friends, is the problem. This is MY blog, and — as Eminem has deftly reminded all of us — I’m not afraid. This is pretty simple to do: just write.

“Write, and be prolific / Not everything written is monolithic” ~Thee Froggacuda, 1988

That is the best two-line poem ever for Michael. And I wrote it. I have ignored this advice from the past me to the future me, and it is powerfully captured as a nine word reminder. I think everyone can benefit from this. It’s a simple distillation of my “press record” rant. Nike has made an entire multi-year campaign out of “just do it” that everyone loves because everyone needs to hear that repeatedly over their lifetimes.

I have a lot yet to be said. I am Thee Froggacuda. Release Teh Tadpoles!

Ho!

once again it's on

So here’s what I did, relatively present tense: I got a little inebriated, put on the new Chicane album “Giants”(reference: Middle Distance Runner), and reskinned my blog to give it a whole new appearance, even to me. After some WordPress admin tweaking to get the elements in the right places, I hit the button labeled “New Post”. And I sat in front of the screen daring myself to write something — anything — and publish it. Tonight.

I am angry with myself that I let the Kanji-Part-1 blog lay fallow in the Drafts folder for as long as I did. I was waiting for the Muse to strike me with inspiration and that’s not how she visits you or I: thou must seeketh out the opportunities, and if you have a fully functioning blog, just write for no reason, any reason, because you are writing for yourself.

That is the point of a personal blog — [insert legal-compliant disclaimer from professional life] — it’s to be able to write; not about whatever you want, but also not because you have an audience. I’m a Libra; there’s a balance to be struck. This gift of a new album from Nick Bracegirdle even has a beautiful song on it called “Where Do I Begin?” Synchronicity is serendipity. I am learning that restraint is not always care; however, baring my soul is not always as simple as it used to be. That’s why there are archives, and I will never regret being unemployed and casting around for a project important enough to deserve all of that free time, and entering all of those poems and stories and rants you’ll see on the left-hand side month-by-month, year-by-year. There’s some good stuff in there; I am committing to digging some of it back out and throwing it in my face again. Here, on the Virtual Lilypad; you can come along and read if you like, but it’s not for you. It’s for me. Because I can’t help but think that I am actually smart enough to code messages into my content for my future self. Maybe it’s a function of being on the bleeding edge of human evolution because I have ADHD and society and civilization have not caught up to how many threads my brain is processing at any given time.

literally -- burning love

literally: burning love. // Jamie Huffman

I am a single human being trying to make a difference with my life. Everyone struggles with this same thing. I write who I am because at an early age I was inspired by Jared D’nofrio to tear out the back of an old math notebook and try to write poetry. Shit, we were studying Byron, Shelley, Wordsworth, Pope, in school, and if he could do it; why not me? Well, Jared’s stuff was great, and I never thought I could equal that elegance…but I gave it a shot anyways. It was like drawing block letter names of girls I had crushes on and spending a whole science or math period at Correia Junior High School coloring them in uniquely with fluorescent hi-lighters. Y’know what? I just found that I was good at it.

DJing is a lot easier than writing. You get to express yourself with the beauty of other people’s interactions with their Muses. The problem is this: if you are good at something, don’t you owe it to yourself — and everyone else — to share it? That is why I have a drive to capture things in cages of ink and tape and 010010 and MP3. I think this is fundamentally the human condition; interaction is like breathing to me. I have just forgotten that I can target myself, and that I am my own primary audience.

I cannot depend on messages that I have coded myself in the past unless I make the effort to read them again; to listen to them again, to experience them again. And I certainly cannot pass any of my current wisdom on to myself in the future unless I produce content right now. This is the heroic circle of one’s life, Scar.

The Archangel Michael wields a sword. I’m not so good at the martial arts. I promised my ninja-to blade to my youngest godchild, anyways; Belén is going to be a better Samurai than her Unkle or her Father. But this Froggacuda character has a wicked tongue and sharp teeth, and I’ve been representing as Thee Froggacuda for almost 20 years now. Recognizing that you have a sticker that reads PROTAGONIST over the mirror that you never look at, finally you understand: this is the Muse trying to shake you free. The Muse is me. The problem is that I never look in that mirror: my mirror until now been everyone else except me. All of that is changing.

I am Thee Froggacuda. Ribbit; fuck you.

Can Anyone Hear Me?

Posted: September 21, 2009 in Quick and Dirty
Tags: , , ,

http://www.ustream.tv/channel/Mordenkainen-s-Parlour

Bookmark it. This is my true blog.

If you look at my Archives, you’ll see that I actually used to write for myself, by myself, for years and years. The idea of transferring this to an electronic medium since I sit in front of my MacBook Pro most of my waking hours should be a no-brainer, except for one small detail. I refuse to use it privately; it’s just my personality.

When I was let go by Achieve Internet last year, I realized that unemployment, in a sense, is like forced vacation, and even if you really wanted to get on with your next gig, you had a metric shit-ton of time that you spent thinking about the world we live in, and life in general, and inevitably, you wander into some really deep, frightening places. So when I had all that free time where you literally cannot spend towards finding a job, I decided to type into this WordPress blog several hundred poems that I had written over my formative years in high school and college. And then BURN the original journals in the first camping trip I had taken in years with a couple of friends led by Kleptus himself.

For those of you who stumble across this and are not familiar with WordPress, it makes blogging and publishing so easy even a caveman could do it. The hinge here is that there is security; you can blog all you want and never publish a thing to the general Intarwebz. I think that you owe it to the online community to share; hell, everyone else is doing it and some are even making money at it.

Part of the fascination I have with the World Wide Web — rockin’ it at 14,400 baud since my first AOL account in 1992 where they asked me for a “unique” screenname, and the online presence known internationally as Thee Froggacuda was born — is that no matter how you interact with it, you develop a personality. On AOL in the early days, this used to consist of hanging out and doing free-form text-based roleplaying at something like the legendary Red Dragon Inn, which I just discovered is alive and well (and still has my “Kiss the ‘Tender” apron hanging in its accustomed place behind the bar), unless you were going back to the early, early days, hanging out and doing free-form dice-based roleplaying in Galsteefus’s basement.

The point of this bit of writing is that I have been taking writing for granted because of some sort of personal paralysis due to having a real live audience. And my worst critic is myself. I think that this says a lot. “I actually used to write for myself, by myself, for years and years.” That was earlier in this blog post. The archives are right next to you on the right-hand side under Archives, go figure. Choose a link; check it out.

This is where the public / private thing comes in. Our lives are on camera and on the Internet right now; isn’t it our duty to try to be graceful footage and Facebook for future generations? There is this misconception that old web pages die natural deaths, but I still have all of the HTML code, graphics, databases, and other artifacts from many iterations of my own Virtual Lilypad site, and nothing is safe from The Wayback Machine. Content production on them Intarwebz is, I would suspect, at an all time high and still rising. What are we to do with all of this dreck that we make public?

Whether you keep it public or private, nearly anything you do is capable of being recorded or transcribed or captured. And then traced back to or otherwise attributed to you. Tagged, if you will. I read an article that 1 in 5 US Recruiters Google your ass when your resume comes across their desks. People upload their own videos to YouTube, their own photos to Flickr, and their own shopping interests to Amazon. This is all content that may or may not be of any passing interest to anyone but the people that are adding the content. Where is the value?

  1. Creative aggregation of data
  2. Remixes and mashups
  3. Historical record

1. There is so much damn data out there at any given time being copied and created and beamed around the world, it is literally like a gigantic ocean. Data mining with all of that out there moving and morphing and trending and boiling has got to produce some fascinating art if it could be visually represented. When you dig into this matrix and start following threads, there would be intricate patterns and relationships and chaos theory butterflies, and I would probably just be hypnotized. With an uber dashboard to pan around and zoom, you could literally “zoom” all the way in with search algorithms to find specific pieces of content that are the catalysts for larger currents. Maybe one of those elements is one of these poems, songs, or stories that are contained in the Archives.

2. As most everyone knows, DJ Lurk loves hisself a good remix. He has even made some of his own. So I know how much of a labor of love most remixes are. There’s a relatively new piece of lingo the means essentially the same thing: mashup, which is a little more specific, at least in music, than remix. Most all of the created content on the Internet is public. Even if you think it is private, it isn’t as private as you think — somebody can see it and potentially mash it up with something else. Repurposing existing content in a new way is as much of an art form as making the content in the first place; in fact, many times a fresh take on an old standby is better than the original. Take Vince Shlomi — the Slap Chop is an amazing product, I know — but the Steve Porter Remix “Rap Chop” was so damn good I started following him on Twitter. I was going to spin the remix at the first chance I got but somebody beat me to it already. Speed of information flow is approaching speed of light.

3. History has always suffered because it was a privilege for the powerful and rich to be able to write the accounts. Publishing your own version — essentially documenting your own personality, life, and experiences — is, in and of itself, riches and power directly proportional to the amount of content you produce over that lifetime. You can’t take it with you, but you can sure make a conscious, good-faith effort to provide something for the seething, sentient mass of ones and zeroes to Borg. The value of anything that you do should be weighed first and foremost by whether you find value in it yourself. Then, and only second, think about the audience. The value of this blog is because I find it fascinating. If others do, too, well, icing is my favorite part of Delicious Cake.

I just realized — part of the reason writing electronically versus otherwise is less productive. I find that some of the most fun is using hyperlinks as footnotes. They’re even better because they are in-line, and you can click them if you want extra context or detail. However, they do a damn fine job of preventing me from getting my point across in a coherant manner sometimes. And potentially, other readers. Note to self. On WordPress, no less.

This was not the best content I have ever created, but I do feel like I cracked my knuckles and limbered up a bit before all of the writing that lays ahead of me, both personally and professionally. So, in the interest of reading more writing, well, an enigmatic word to the wise: GreenHouse.