Posts Tagged ‘Flesh’

I.
There was a woman
Who I loved with all my heart.
It’s the only way
I know how
to love.
The problem I have
With falling in love
Is that I just keep falling
And falling on through.
It’s a perpetual autumn;
Storming leaves of memories,
Possibilities,
Skeletal trees.
And turning my collar up
Against the cold of this world.
Holding my hands out
To the warmth of the fire
That we had kindled
To keep the darkness at bay.
Every time these things end
I look up from the glow
Of the smolder, the embers,
For the ignition of a smile,
That familiar, beloved synching
Eyes to eyes:
It’s just understood
We’ll revel in the work
To pile on more fuel
From our common woodpile.
But nobody is there
Across the coals from me;
I’ve fallen through
The bottleneck of the hourglass
Along with all these ashes.

II.
Songs get tied
Like complicated knots
Around my feelings;
They remind me of how
I used to think about forever.
Some are bright blossoms
Stolen from yards
On the way to your window
In the middle of the night
To kneel and present you
With a moonlit bouquet,
My Juliet.
Another is the crosshatching
Of spray painted poetry
Hanging in midair
Amongst the tree branches
Between the shadows
Of the stars that were ours;
Witchcraft and wizardry
For an unrelenting passion.
Tapestries of smoke
And of tie-dyed freedom;
Soft paws of haloed kittens,
The chocolate and the champagne
Of the once in a lifetime.
Threads on a magick loom
Synchronicity unparalleled,
Spiderwebs like a hammock,
An embrace as if I was coming home;
Touch burning like the fire of a faerie,
Or the resurrection of the phoenix,
Tracing sigils in the sky,
Re-ignition of belief
Like a firestarter
Or finding a soulmate.
I am haunted
By the breadth of my music
And the depth of my commitment.
The failure
of my eyesight.

III.
The carnage is absolute;
A battlefield strewn with my corpses,
Beer cans and shrieks and cigarette butts,
The best of intentions and
The stench of taking things for granted.
These raw wounds
I have sustained over my lifetime
Of loving how I should have been loved
Never seem to heal;
They just ooze and pulse
Making heartbeats painful;
A crazy accumulation of luggage
Like owning an airport carousel
Of baggage you can’t strip off.
It just grows with you,
Older and less attractive,
Smelling faintly of urine and gangrene
When you can’t bear
To perform the required surgery.
It hurts too much;
I’ll excise memories I want to keep
Along with the decaying flesh.
Retrospective or post-mortem;
It’s still the death of a relationship
That I thought would live forever
As if I had infinite chances,
Infinite quarters.

IV.
I was pinned to a mortarboard
Like a butterfly from a caterpillar,
When I had to eulogize my friend;
My brother, my partner-in-crime,
Someone who understood
By the merit of not being female
The depth of love and an enduring relationship.
I don’t ever want to do that again.
It is the same with love;
I know I can, and it will be better,
But the pain of losing someone to provoke that work
Is too much to accept;
Besides, who the fuck will do that for me?
The answer is as clear as hindsight:
20-20.
I listened to my voice echo hollow through a church
That he wouldn’t have appreciated
To the people who were left behind,
And became even more haunted.
I did my best to represent,
Tell tales, romanticize, believe
And I went home with ashes in my mouth
To cry, cry out, want to evaporate,
Disappear, erase myself from existing
Because I had lost something precious:
A true friend.
It’s a lot like losing your love
Because you have lost a friend.

V.
The light switch is off.
This is the eye of the storm for me.
Now I deal with the still shatter of leaves,
The cold of being alone,
And shoving my hands into the campfire.
There is no warmth.
This destroys the fabric of memories
That took deep commitment
And sweat equity;
Deeper resources than I had without you.
And I see them all retreat,
As if they never existed;
Vanish into the thin, thin air
That I breathe.
Flatlined.

VI.
To move along,
Because there is nothing to see here;
It’s a pretty penance,
My cross to bear;
One that gets weightier
The more years I carry forward,
This boulder I am pushing uphill.
It’s that lost luggage from the carousel;
It’s those old wounds from the battlefield;
It’s those lyrics of happier times
When I would write, compose, sing
Of how I loved being in love
And how I expected forever
But you only had right now to give.

VII.
Perspective is a function of wisdom,
Which is a byproduct of experience,
That is what happens when you live and die
Through these things.
Perhaps they build character;
Actually, they create defense mechanisms
To try to prevent this from happening again
And again.
Expectations collapse
And you lay bricks and mortar in the fortress
That you think will keep you safe
But not sound;
You all are quite persuasive.
Certainly isolated
In the aftermath
Of bequeathing your everything —
Heart, mind, soul —
To your everything
Around that campfire
And you look up and discover
That she is long gone.

Firm

Posted: September 2, 2002 in Poetry
Tags: , , , , , , , ,

I am hungry for a firm bosom
On which to lay my head, close my eyes
And hear that everything’s gonna be alright.
Careening towards conclusion
And new beginning: new days,
New nights of excess by my lonesome.,
All populated by my skewered imagination,
Made real by isolation,
Made flesh by selecting
Sentiment on vinyl slabs,
Made fleeting by drunken stupor,
Yet creating all that for a moment.
A split second where I am bitten
Drained, refilled, refueled;
Reminded of my latent power,
Envied by those hopeless dead
Beyond these walls of vapor.

Introducing the Muse

Posted: December 7, 1994 in Poetry
Tags: , , , , , , , , , , ,

I wonder, as the Poet,
if you care what I say here;
these words may only be
patterns or statistics to you.
The appreciation is when organs move
— some passing of spirit
through your flesh,
a Magick spell which,
uttered, or even read,
evokes a thump on the heart-drum or
a tangle of the air in your lungs.
When the eyes are slightly moistened
beyond necessity or that which can be played off,
when the lips subconsciously part or move with the sound
as if to kiss the flowering thoughts,
to sip from the cup of each syllable
— then the letters become words,
translated back into ideas,
reconstructed in a different mind,
personalized to a different environment
— accurately speculated back to
the willpower of imagination that birthed the poem.
My Muse:
she is a bashful widow who hangs her veils thick,
like laundry on a street with no electricity.
A glimpse of the rare beauty,
your eyes to her holiness,
always too quick for detail, yet
that soul-string hums
with some instinctual empathy.
I tend to stutter during introductions
because I never get it just right.

Ah, this bright light —
I was a closet Vampyre,
dancing on cardboard tombstones
with flexible skeletons
who beat chopsticks on
overturned Folger’s coffee cans
— it shrivels the flesh
and weakens the bones.
I’ve heard of the process of aging before,
from people older than I
(that was all that mattered back then),
but I opened the door
just by living this long;
it was a voluntary process
to keep myself “sane”.
My closet life still lives —
the dust and cobwebs are real,
cardboard and coffee cans lay around
— it’s a mess just like I left it.
I have little time to clean up,
much less to dust them off and play;
something I swore I’d never say.
I wished to conquer this aging
in this age.
I watched the best voices of
previous generations
wither and fade,
mature and become jaded
as either adults or escapists —
I wanted to outdo them all
by keeping busy
preserving those things
that people forgot to remember:
those things that go bump in the night
and lurk shiny red-eyed in the closet.
This bright light
— reality for those who think it so —
is the bread and butter of adulthood,
and it cannot be avoided
through ignorance or rebellion:
they just won’t go away.
This revelation comes with
the exposure to aging;
the fact that changed my whole game plan.
Closets, shadows, mysteries and skeletons
beating Folger’s coffee cans with chopsticks
are for children and lunatics:
people who aren’t grown up enough
to withstand the scrutiny
of this bright light.
I hold to my original wish —
I have remembered so far
you must bend like the willow
young grasshopper —
Seuss did it,
King does it;
to each his or her own closet.
Oil your hinges,
dust your skeletons,
tune your Folger’s coffee cans:
Magick is the marrow
that runs in those bones,
and still fires the eyes shiny red.

Post-Adolescence

Posted: December 14, 1993 in Poetry
Tags: ,

Where did this forest of hair come from?
My chest is wide and broad
like a carpenter’s boards
and I’m strung with muscle
I don’t think I deserve.
Tall and wiry and strong,
I never though I’d look like this,
the penultimate ape,
so why be ashamed of my hair and my torso,
fleshed out from the cadaver
of my adolescence?

Hush

Posted: August 22, 1993 in Poetry
Tags: , , , , , , , , , ,

you asked me once upon a time
if I could hear the speech of the sea.
I said yes and that
was where are agreement ended;
you heard eulogies, laments,
cries of change and supportive flesh,
the echoes of watery hands
drumming on cliffsides,
rolling rocks into its stomach,
a maelstrom of creative fury
controlled and unleashed
by the whim of the innocent moon.
But when I hear the ocean,
it is a purring cat, content
on lapping milky foam
on the sands of this one beach
and saying to me over and over
as it launders the shores
“hush . . . it’s alright”.

The Decay of a Cartoon

Posted: July 28, 1993 in Poetry
Tags: , , , , , , ,

The poet sojourns
to the real world,
concerned with education and finances,
too busy with real matters
to watch his own walk
like a bluejay on a telephone line
assuming it is his,
too bust to enjoy
the glances at his jester clashed clothing
and his odd squatting posture,
recounting endless stories
of dubious origin.
The decay of a cartoon
into another weary act of flesh and blood
is done through weight,
self-inflicted,
burdens of soggy peat responsibility
and the yokes of limiting your own strength.

I fell from 20 feet up, from a tree branch
and I landed on my head;
when I should have been dead,
(I was 10)
I walked into the house
to bandage my gashes
so that Mom wouldn’t worry about me.

I tell myself I can’t do that now
because my weight has quadrupled
from all of these woes I balance on my nose
trying to smile around them
everyday at other people,
and their circus tricks;
jugglers and mimes and tightrope walkers,
sometimes the fear of falling shows as plain as day.
It’s getting heavier and higher and
we’re all being thrown more things to juggle.
So if I fell from that tree
would I end up worrying so much on the way down
that I’d break my neck?
Or could I bounce like the balls I juggle?

I
this poetry, on this midnight
runs through my veins:
all this hurting, my purple pen
is my blood,
each word a corpuscle –
and to let it out to the world,
sometimes my poetry is simple:
blood,
cut from my flesh,
bleeding my emotions free.
Self destructive
so that I can leave the world
with impressions of fire and intensity,
of feeling.
This is how I feel.
And a poet is a job of living,
breathing, suffering, sacrificing
money home security comfort
for the fleeting knowledge that I am writing.

II
I am smoking: I will die quicker.
I am drinking: I will die quicker.
But I am leaving what I have,
these words
the blood of my existence.
The blink of an eye
and the full moon is gone
waxing, waning:
soon so will I, another man
will die and fade into obscurity,
but these ideas, thoughts, memories
will not disappear quite as quickly,
eroded into paper or computer.
Crickets die – they begat children
to carry on their simple song;
this is human responsibility.
Treat this as information
of a life.
Swallow it whole or in pieces,
pass it along;
someone will find it useful:
the memories of me,
who and where I am right now.

Nyarlathotep 1925

Posted: March 23, 1993 in Poetry
Tags: , , , , , , ,

thy Bloody Tongue caresses
the forehead of the Chosen
for Hotep, Dark Lord.
the Crawling Chaos erupts
from blood for us:
those willing to see his vistas,
landscapes draped in flesh,
drenched in blood,
shattered like mirrors
so close like dreams
one bright tentacle to worship
one hypnotism
one belief of truth;
as you wish it!

To be a DJ

Posted: February 10, 1993 in Poetry
Tags: , , , , , , , , , , , , , , , , , , , , ,

the DJ comes with a lot of power: the President,
me (the good one) surprises and pleases
eliciting happy yells smiles and sighs from the crowd;
it is all for me.
I see faces light up as they soak with sweat
dripping shaking moving all around,
recognition of another song loud and in your ears
smashed into your face by 1000 watts;
they’ll dance harder than the last song,
move faster, become natural.

people stop listening and start feeling
the rhythm bumping along, house style, steadying
while the dancers elaborate
or flips to a fill-in breakbeat; the New Jack Swing
where you just try to prevent your butt from moving
or suddenly the song makes you cry
or sweeps you away in an enthusiastic mosh pit
or brightens your your eyes with something
you haven’t heard in a long time.

some DJ’s get stuck in one record groove
but the best surprises always compare and contrast
yet find a common thread that dancers’ bodies understand
but that I’m at a loss to explain.

what to spin next turns into the most important decision in the world
and it will be like this until I have to choose the next.
my head reels from the network of songs to choose from:
this beat would fit, this sentiment would meld,
this intro would trip, this track overwhelm
when you’re dancing, flashing colors of flesh
I’m mixing sweat and body heat
I mix you together – you whirl with my turntables.
eyes fly out of the mass of movement,
catch mine and flash like the strobelight.

I lean over to catch an excited request
to straighten my precious stacks of wax,
screams as someone recognizes what I’m playing:
playing with them
watching their reactions.

my emotions flow through my hands to the vinyl;
you can tell what I feel by how well I play,
drunker on you than on the 40s in my crates.
I turn your music up beyond hearing
and you feel it;
supportive
moving you –
you translate it to your ass your hips your hands.

the more you feel the more you learn.
learning to dance, learning to love someone new,
learn to understand what I’m saying.
I’m backed up by the best talent I can find,
be it the PE, Madonna, Fishbone, Dead or Messiah
I free your mind with my many voices.

and I’m dancing as hard as anyone,
fingers searching through record sleeves
caressing beats to match, speeds to coincide,
boogying between the coffin and the crates.
searching carefully for any sign of discontent
remembering what people want
giving myself up to the group good time.

here, women shimmering with sweat
recognize and close their eyes;
the groove is a lover, a beat
that chases between their thighs, over their stomachs
and up their spines;
unconscious every one is beautiful, so hypnotized.

here, men swirling around throwing arms in the air
touching the ground on time, on time.
intent on dancing, on laughing, on glancing back
at those girls I’ve just described.

every person I can find I train my recorded charisma on
cajoling with individual requests
urging on with the party songs
twirling all of this sound and poetry into a rumpus room
out of love for you.

I am still here;
encased in steel,
frozen in flesh;
I am still here.

the I, the me, and the one and only:
Michael, an Angel, this quality,
definitely the most beautiful man
regardless of position and opinion.

building and building my building,
my self: a tower of faith in feelings.
I’ve mortared each brick and laid each beam,
chosen the colors, welded the seams,
sweated past tears, made real my dreams.
I have constructed my cherished monster
and wobble like a weeble but I don’t
fall
down.
I doubt and I die
every day
sometimes I cry
and fade away,
but I’m always stuck with myself
so I’ve chosen to stick it out
until the morning after.

I’ve got to strip and scrub and look in the mirror
I get misunderstood and filthy bad-mouthing myself;
the more I scrub the more I bleed, feeling clearer –
addicting, this hurting and cleaning myself.

in that soulless mirror
is my only true friend
and he’s true as far as you believe him.
weebles wobble but they don’t fall down.
I won’t scream anymore, I won’t make a sound
on finding my construction falling apart
snapping cables in the storms of my heart.

there is nothing that can ever take me away
I’ve done too much damage already.
twenty-one years old, a missile heaven-sent
and where god has thrown me I’ve made my own dent
to sit in and scowl or wave to my stars
as they streak by in the night, fireflies in jars.

Ninja-to

Posted: December 20, 1992 in Poetry
Tags: , , ,

a blade is your friend
if you allow it to taste your flesh
yourself, offering something –
blood – for service.
until you are comfortable
with being cut by yourself,
you will not be comforted
by cutting others.
the opening of a wound
is an artist’s work,
a sculpture of skin and muscle
caused by skin and muscle,
not the edge of a sword.
giving your blood to your blade
makes it flesh of yourself,
makes its steel of yourself.
Kiai!

Bishop Speaks Only in Riddles

Posted: November 30, 1992 in Poetry
Tags: , , , , ,

What secrets do I have hid up my sleeve
For careless players thinking it’s a game?
I warn them that it’s easy not to grieve
When their persona is alive and sane.
Nightmare of sewers made of rotting flesh,
The ever present threat: Nathaniel’s ghouls;
These horrors from the past, they still impress,
But blind the future to these witless fools.
Your characters will come and go my dears;
They never perish like the one before.
Just tally up your growing list of fears;
The ones that really scare you to the core.
And every time you think the story ends,
I’ll introduce one more of many friends.

I am the bear at the back of my closet,
warm and furry.
but nobody knows it.

I am the star cut in the flesh on the back of my hand.

you, however, are a fig-ment
of my imagination, subject to my rules.
and you are whatever I choose to make of you.

you are a grasshopper, or a shiny penny,
or a bunch of balloons third graders let go
with notes attatched to the ribbons.
you are roadkill, or a lonely sock in the trash.

I am the wildest man with this imagination;
the most dangerous with this pen.
I am, most of all, the bear at the back of the closet
whose winking eye has been mistaken for a star
that you use as a night-light.

I
I can wish as hard as I want without trying.
Maybe it takes a nervous breakdown
To examine the croak of a frog.
A rich man tapes his hands to his sides
Drowning in treasures but refusing to decide
Which pearls he wants to wear for eyes.

II
To the grey lands to search for the sunken man,
Glowering in the shadow under a rock.
“Come in under the shadow of this red rock –
“I will show you fear in a handful of dust.”
Of ash, of bone, of moon, of stone;
Cadaverous, skin a dizzying kaleidoscope of veins.
I screamed, hands clenched to my eyes, alone,
Falling apart under that brittle stone.

III
pretending to have misplaced my watch,
I asked a current friend for the time.
she looked at me curiously, sadly,
then asked why I no longer rhyme;
walked away as I demanded an answer
from myself; I never saw her again.
time to find another friend.

IV
Sweating and dirty from working,
I keep forgetting to steal some of the diamonds
I’m mining for other people.
At home, I’ve got this dusty blowtorch
Right next to my aspiration to smelt the world.
Been a long time since I burned anything
On purpose. Last time it was my wings.
Pushing the dirt around on my face
With the same oily rag, I promise
Again to go on a picnic in a forest,
Then pause, shaking my head slowly
To get rid of an echo.

V
O black soil, heavy and rich, warm
With the fires of life, thick and moist
Under my nails, in my eyes and ears,
Filling my lungs with blood,
Burnishing my skull with her coppery breath,
Arms sunk to the shoulders in the forest earth;
Black earth goddess.

VI
A poem incarnate: thee, poet.
Vision, mind, thought, dreams,
Thinking in every sense of a word.

And a blackbird.

VII
I came forth with a handful of seashells
(to the froggy applause
of the people’s jaws
creaking in their mechanical sleep),
Following May, who’s going home
To dwell with her enigmatic stone.
Placing shells to wait on the sill
And for her to discover
Like a faucet-spray of dry flowers.
Walking on the sidewalk I’ve
Empty hands in my pockets,
Imagining how she’ll find them
Over and over.

VIII
Flying through the rain on a wind of strings,
He flew with the ease of a soul,
Tall and clear-eyed with violins in his hair.
I saw him from the shore
And waved him out to sea,
Rushing over the water’s open grave.

IX
The dreams,
they poured their hearts
out into the bowl of my fingers,
flesh and water and soggy stitches,
Lost and drowned
in the ashes of childhood,
the sorry sons-of-bitches.
I breathed into my palms,
Taking each by their tenebrous hands,
And throwing them into the darkened heavens:
stars like two flung shoe-fulls of sand.
Spinning around and around underneath,
Watching them swim, these stars, good-bye;
Constellations of the smiling faces
of my parents,
One on each half of the sky.

X
I ran through the stacks of cars
After him that flew away by the seat of his pants.
I, too, cannot answer the question:
“What is the grass?”
I can no longer remember.

Standing under a leprous moon,
In a field of strobed weeds,
In a circle of garish flowers
Bowing outwards,
Heads trembling in a sort of gleeful fear.
Looking at my arms, my hands,
my fingers,
The vegetation was purple, orange, yellow, green,
turned pale by the light of the stone in the sky
shown bone by the fire suffused in my eye.
The moon grinned, sunken in the dust of a scream.

Dredged up from the foul slimy pits of the unconscious
Come the compost and seedlings of these poems.
The sunless quagmires of my nether regions
Unseen, unheard of, unpure, unwanted, unknown.
Grey sludge wends its way through towering pillars
Stalagmites, remains of what could have been.
Unwholesome creatures populating the pseudo-real
Slither between murky bog and decaying fen.
Oozing questionabilities of the sanity ungrasped.
Psychedelicity is achieved in shades of black.
A changed and twisted depressed mentality.
Phrases and ideas flit, cohesion to they lack.
Through my pen does the putridescence spill forth
But most is caught in the mesh of conscious mind.
In festering forests seen in a lurid light.
What hideous secret can I find?
Dripping, oozing monsters, bereft of sight.
Unearthly being composed of gangrene.
Grotesque mockeries within the fetid swamp
Shinily glisten with a wet, mucal sheen.
Ambulatory fungi, frothing with saliva.
Sporadic slurries of viscosity.
Living monstrosities of decomposing humus.
Warped aspects of mental perspicuity.
Anerobic things with myriads of legs
Accompanied by multitudes of gelatinous eyes.
A virtual abyss is present and evident
A rift unbridged, for its size.
Slavering ghouls armed with wicked talons,
Bubbling pools of superheated mud.
Toweringly infinitesimal gaps of pure voidness.
Cascades and rains of syrupy blood.
Sticky strands of cosmic material
Form webs to clog rusty machines.
Blurry images fade in and out.
So many extraordinary ideas, yet without the means
A chasm of despair and of morbidity
Makes up the majority of my soul.
Sorrow and idiocy rest heavy burdens
Upon a subconscious as black as coal.
Upwellings from a depth of a boundless water
Birth new ideas to multiply and flourish
But sightless, flapping, contorting myconids
Swoop in to ravage and demolish.
Flinching in terror, cowering in fright
Screams and shrieks fill the alien atmosphere,
For individual thoughts see their comrades die
And spend their short lives in fear.
Writhing their way out of the primordial soup
Flopping upon sunless shores of sand,
Rooting and grunting beneath moldering canopies
Agonized ululations echo across the land.
The stench of death, of rotting corpses
Permeates my mind and lingers there.
Insubstantial casualties form endless pyres;
Smoke and dust reek to fill the air.
Paroxymal tremors shake unsteady foundations.
The erosion and decomposition grows with each quake.
Whimpering and gurgling, vicious things strike
The supports of sanity – that’s what is at stake.
Stupendous castles built of flesh and bone,
Towers of veined sinew and gristle.
Flashes of inspiration silhouette these forms
Quenched as the armaments of darkness bristle.
A sodden mist lays over my broken mind
Soundless arachnids spin their silken webs.
Glistening foam glides through hazy eddies
Over clouded water, all consciousness ebbs.
Within these sluggish, merciless swamps
Contained in this subconscious of mine
Raves a maddened, gibbering, repressed waif
“Tween wits and madness, thin partitions align.

Untitled Poem #3

Posted: April 30, 1987 in Poetry
Tags:

The blade slices cleanly through sallow flesh
The tongs grasp a ragged edge and tear
A syringe squirts an agonizing liquid
Into a wound which will fester and drip.