Posts Tagged ‘Shaman’

There has been no song I have listened to more consistently in 2011 than the cover of the Pixies’ “Where is my Mind?” from the Sucker Punch original soundtrack by Yoav featuring Emily Browning. For those of you who have seen Sucker Punch that haven’t made this connection, Emily is Baby Doll in the movie, thus she is in the video–this Australian siren has a pretty set of pipes and is featured all over the OST. I saw Yoav live in San Diego about eight years ago–opening up for Tori Amos of all people–and he is abominably talented as well. This phenomenal version of a spectacular song is just hauntingly beautiful. There really are not words. Check out this (apparently) German fan-made, wonderfully reconstructed version below; turn it up and full-screen this shit.

If you are just reading past the video and have not yet seen it, STOP. Go back and watch it. Context is very important in this world of too much information, and you will not get a true understanding of the rest of this blog post without watching the above. I don’t care if you have seen Sucker Punch or not; if you saw it and hated it: fine–I am talking to you Beth Accomando (and trust me, I love Zombie Beth). The availability of soundtracks and footage across the Internet allows for the basement creation of a six minute version of Sucker Punch that does a great job of substituting for the whole movie. The real question that I have for myself is this: why do I keep coming back to this song over and over again all year long? It is because the title is really, really thought-provoking: WHERE IS MY MIND?

This is how my parents still see me.

This is how my parents still see me.

This question seriously resonates with me because I am 40 years old now. I used to be smart–really smart, as proven by years of crushing K-12 curriculum and standardized tests at the top of my classes without any effort. Then I realized that I was more black sheep than white and got into the bad habits that I continue until this day: drinking like a fish, smoking like a chimney, eating as an afterthought maybe once a day, never seeing medical professionals, prescribing myself my own medicine, depriving myself of sleep to the point of just passing out on my couch each night, working until my fingers bleed, giving everything I have to the world right now. It is being present tense rather than living in the past or praying for the future, and it’s the only way that I know how to conduct myself to maximize my value to humankind. The problem is that this head-down approach causes me to lose my mind, and as I get older, sometimes I just stop what I am doing and I ask myself…

Where is my mind? It is–and always has been–fascinated with death. I “flunked” my first IQ test in my early years because I was grappling with the fact that I would never talk to my great-grandmother Massie ever again. When the score came back that I was a moron, my Mom–bless her heart–stormed into the school and demanded a do-over. IQ: 143 as opposed to 80-something. My teenage years of writing depressing poetry document this preoccupation well; I still believe that that the close presence of death smells like Pez candy. Over the years, I lost the rest of my grandparents as they moved on to the next level; these deaths are expected, but they are still sad and thought-provoking. Yet you see and hear about death all of the time: from horror movies to the nightly news; from video games where you can earn “extra lives” or “resurrect” or “respawn” to Steve Jobs‘ apparent sainthood, the Seal Team raid that killed Osama bin Laden, the fall of Muammar Gaddafi, and the execution of Troy Davis. Death and taxes: we are all just inured to it. As you get older and live more years, gaining more experience, you encounter instances of death that are more shocking than the normal background noise of life happening until it doesn’t anymore. Then it’s all you can do to not think about what dying means to you.

Ansel Adams: Moon and Half-Dome

Ansel Adams: Moon and Half-Dome

For me, personally, the untimely but beautiful death of my close friend Bela Chris Feher is strikingly haunting because he died doing what he loved to do: that is his legacy. That is setting the bar pretty damn high, and I don’t forgive him for leaving me behind. Bela was my friend, and I miss him every day; I would have loved to see what he would have thought of Occupy Wall Street. Remember, BC Feher is the guy who would send long diatribe e-mails to the Federal Government calling them out on complex conspiracy theories. I still find myself thinking “oh shit–you know who would love this? Bela!” and then I have to chiggity-check myself. I refuse to take his contact info out of my phone. I can’t watch Aliens or listen to The The or mention D&D without reminiscing about Chris. Because he is dead. And he left behind some truly epic stories, and that is precisely what I aim to do.

Let me be clear: I am not depressed, nor do I consider keeping an eye on He Who Rides a Pale Horse unhealthy in the least. Death is the second bookend, and our entire existence is spent putting this fact off until tomorrow. This inescapable event supersedes other important life measures and milestones: your spouse, your career, your family, your children, your accomplishments. Terence McKenna informed me that my responsibility as a Shaman are to view the “wiring under the boards” and return with critical information for the rest of my tribe; that is why I am exploring “Where is My Mind” in writing. Carlos Castaneda taught me that if you look fast enough with an empty mind over your left shoulder that you will see Death waiting. That is an incentive, my fellow human beings. I guess I’ve been at a Mexican standoff with the Grim Reaper long enough now that I just shrug. 40 years and you still can’t kill me! Come at me, bro.

Come At Me Bro

Come At Me Bro

I blog because my mind (aha! there it is!) wanders through the drudgery of everyday existence, past the wasteland of mortality, and suddenly stumbles on to a garden of legacy: what can I say I have truly accomplished so far in my life? What am I leaving behind when I level up? Can I die today–hoka hey–and be content that I was net-positive to the bank balance of humanity? I am certain that everyone at one time or another has had the distinct feeling that they are being watched, or on hidden camera: did I just hear laughter, an audience, a echo of soundtrack? There is a distinct deja-vu-esque prickle of awareness like some sort of prehistoric monster surfacing from your subconscious and thrilling up your spine: a frisson of “da fuq?” Maybe it’s a twitch of your Kundalini. A repeating black cat in The Matrix. Perhaps it is God watching your particular sitcom on His omniscient media center. Too many thoughts like this will drive a person insane; as A-Pope said:

Great wits are to madness near allied / And thin partitions do their bounds divide.

Seriously, ask yourself this question: where is your mind? What has that powerful, agile, sexy beast been doing the last five minutes? Do you remember what it feels like when you learn something earth-shakingly new and a big lightbulb goes on? Admire, acknowledge, and respect yourself for a minute; your body is a temple; verily, an Oracle of Delphi, where your brain, and your heart, and your soul, supposedly reside. Admit it to yourself: you are unique and totally, 100% perfect as is. You exist; that fact is relevant enough to take a deep breath and continue on and forward: there is only one You. Until you die. Then the bookends–and everything in between–go to the thrift store, and you have your legacy. Speaking of legacy; TIL from Reddit that The Pixies – Where Is My Mind? was transmitted to team behind the Mars Rover in order to “wake it up”. Wake up!

"Da Fuq is this?"

“Da Fuq is this?”

I write things down because I have always wanted to leave an important and cohesive body of work behind me for someone else to discover, enjoy, and maybe get lost in. Shit–my Dad even wrote a book; talk about setting the bar high, /grumble. Perhaps the Virtual Lilypad is an easily-accessible site for anthropology studies of privileged white males in San Diego from 1971 to 2011 and beyond. Maybe someone else will stumble across my original work and it will move them in a positive direction. At least I have generated a record that I existed once upon a time, and I have provided poems and DJ mixes and art to the international community. The world–especially the online, electronic world that we all increasingly participate in–suffers drastically from a lack of original content that can endure the test of time. For every single person that presses record and captures something, I guarantee that there are at least 1000 other people currently on this rock we agree to call Earth that will point to your effort and express “that is how I feel!” You just need to be brave enough to give yourself full credit. For me it is surviving 40 years of being on this damn planet. It’s a fucking accomplishment. And I am not dead yet.

Some tracks just resonate with you. These are the ones that get stuck in your head, or you find yourself quoting lyrics from them, or — the most telling tale — you keep playing them over and over again because they move and inspire, as Landmark Education would describe this feeling. That’s why I make “compilations” of tunes every year; even the year I said I was going to stop making compilations, I made a compilation. I just didn’t make physical copies with custom covers and inserts and liner notes, which takes hours and days and months to perfect, in 2008 or — most likely — in 2009. I give them away for free because they’re my way of communicating. It’s a way to say something along the lines of “here’s what I played for myself all of this year; hope you like some of it” in a palpable format.

What’s a real trip is letting this sink in: I have been making these compilations every year for 12+ years now. That is just a count of the official, main compilations; sometimes more than one disc, but always tuned to fit on an audio CD (OK the Old Skool Hip Hop McGee Mix can’t, but there are always exceptions). There are adjunct comps, live mixes, bootlegs, extra cuts that couldn’t quite make it, times I didn’t record while spinning to an international audience on the Mordenkainen’s Parlour stream, and practice stuff — some of which I recorded and some of which I didn’t.

When engaged in the constant act of choosing music you like for 12+ years on a day-by-day basis, you know what you like and what you don’t like. Everybody does that. That is why everybody is a DJ. The crucial difference is that I recorded it. This fact sets me apart from the rest of the amateur record-scratchers and mix-tapers. Why don’t you go pull out one of your old mix tapes or CDs, or an old .m3u playlist and try to understand what you were thinking about when you felt passionate — or bored — enough to actually press the record button and pick some songs in a particular order. Or did you give them all away to potential booty calls?

Songs become old friends when you play them enough. Ensconced between the lyrics and the bassline, the drums and the swells, a personal soundtrack has embedded itself into the fabric of the music. Playing certain tracks is evocative to you in a way that nobody else is going to get just like you. Sharing these particular musical missives with others is, I believe, a fundamental art form. That’s why I do it.

So when I spend hours listening to my compilations, in order or on shuffle play, it has become something akin to going to church. The best way that I can be a Shaman for everyone is to bring something back; that is certain compositions of music, perhaps in a certain order. I love these sermons. Because I recorded them myself of myself in space and time. When I press record, I realize that it is a positive, creative, wonderful thing that I have the cojones to take a deep breath and go live for posterity.

The results of dishonesty

The results of dishonesty

There is a hole in my heart, and I can’t contain the light that is pouring out. This is the brilliance of truth and the refraction of soul. This is the damage that is done to a human being when you are betrayed, blinded, backstabbed, and belittled for trying to be more understanding than is humanly possible to be. The Froggacuda has held his enormous, razor-sharp, whiplike tongue long enough, and the slings and arrows, the sticks and stones, having come from all quarters, determine that the defense of the 360 degrees is back by popular demand, and must be enforced with the unpredictable and uncanny gusto that is the Monster from Red Lake.

This site has been populated with what I once was and, apparently, what I still am made of: not snips and snails and puppy dogs tails, but fifteen years of poetry, ten years of making music, five years of DJ mixes, and one month of unemployment later, I am sitting all froggy on top of a pile of meaningless (to you) shit that perhaps someone will wander through and find a gem or two amidst this midden heap of detritus. Although the catharsis of inputting and then burning all of my available poetry journals is healing, it tears a lot of scabs off of present and historical wounds that should have been viciously expunged with a gallon of Bactine and a scalpel when the damage occurred in the first place. Except that I am a coward.

I don’t know why I am so creative; why I am able to pour my guts out on the kitchen table and read your fortune in them like some sort of Street Shaman or modern-day Gypsy — to help you, only to stuff my innards back into this ridiculously fat and out-of-shape barrel-like body of mine, smile, pat your head, tell you I am alright, and send you on your merry way with a little bit of Murdoch perspective to think about. It’s what I do.

I am so brave when it comes to telling the truth to other people. In my own private hellish closet where the real me lurks and shakes his fist at a world that I never asked to be a part of, I tell myself I am making the best of it. I live, I love, I breathe, I get up in the morning, I go to work (when I have it), I get shanked by friends, family members, acquaintances, business partners, bosses, co-workers, Sunday drivers, wives, fuck-buddies, Internet personalities, and the population at large, and it all it really makes me want to get this thing called life over with. That’s why I am trying to smoke and drink myself to death like a modern day Charles Bukowski. What is the point of all of this happiness and misery, anyways?

Seriously, what is a blog for besides spitting ridiculously self-centered screeds to an unsubscribed and uncaring Internet where my body of work will be lost as another couple of drops in the ocean of half-formed content scrabbling for purchase or publication like so many Lovecraftian half-formed nightmares populating the craptacular pages of the 21st Century’s equivalent of pulp fiction: WordPress.

I was going to wait until I had everything I had ever done (or at least kept and found again, only to be re-humiliated by rediscovering it) pumped into this overblown MySQL database before I started ranting again, but enough is enough, and the tongue must be let loose to rave in the dark as an orgy of one. It is terribly frustrating to understand that the highlight of my life is the eulogy I gave in a shadowy, barely filled cathedral for one of my best friends Bela Feher, who I miss like an arm or a testicle (he’d love that) even now, and I DAMN him for falling off of a big rock and leaving me here to struggle through this bullshit they call life while trying to console myself that I can’t die fast enough and that his wisdom, magic, and sarcasm is still contained within every ray of light from the hole in my heart.

[ original image courtesy of www.basehead.org ]