Posts Tagged ‘Turntables’

I have ranted before about this strange drive I have to create things. Being digital has helped a lot, because I can perform magick tricks that were only in my head–or I didn’t think I had the chops to do–and send them out into the world as my little wind-up creatio

n and see where they ended up. Case-in-point: my buddy Miguel runs an awesome blog/podcast/site called The Monster Island Resort Podcast. It was his birthday. Through FB, he asked what his “monsters” were going to do for his b-day. I suggested in a comment a Photoshop-Miguel-into-vintage-movie-posters contest. I really thought the amateur PSers would come out of the woodwork. Apparently, it is not such a common skill

Miguel vs Monster Zero

Miguel vs Monster Zero

; this means I am taking my own proficiency for granted. Far be it from me to suggest a contest without participating; I threw together a pic of Miguel laughing via screencap off of his FB and Google Image searched for some Godzilla movie posters. A few minutes in PS later, and I sent the composite up to Imgur and posted the link back to his FB wall. Lo and behold: I won the contest! He posted it up in his FB album. My artwork is now–briefly–his FB icon. I laugh every time I see it, and I brought a friend some birthday magick.

Because I PRESSED RECORD.

I am still sortof blown away that I have written poetry for something like 25 years (not so much lately), and I have 15 consecutive years of doing music compilations. I am listening to my record collection that Kleptus and Moonbow helped me move into my spare bedroom after 2 years of rotting in my garage, and every song I hear is a message I had left behind for me to discover later on. This funk phenomenon has happened to me many times over the year. It is why I am passionate about creating. “I’m not bragging; I’m confessing” ~King Fantastic

My last entry was So You Think You Can Blog. No matter how many people think that I was somehow commenting on their efforts (or lack thereof), this was nothing more than a message to myself that I will be able to discover again and again when I decide to do the painful process of reviewing shit that I have already created. I made a Nu Decade resolution to myself to blog once a week; I’m supposed to use Sundays–it’s on my personal Google Calendar. My phone blows up with SMS reminders. I’m trying to convince myself that uploading and tagging camping photos to Facebook with witty captions somehow absolves me of blogging that week. Because it is fuckin’ hard.

The Turntables are Alive!

The legendary Studios of Doom be alive and kickin'!

The more you create original content–in whatever media you choose–the more you attract people who feel that it is a breath of fresh air because it is not recycled: it is actually new. This is the act of creation. Press record. Put it out there. What do you really have to lose? How big is your audience, really? If you’re scared that someone is going to dig up some Tweets or a blog you wrote weeks or months or years ago, then you need to reconsider what you stand for. Although there is an unsettling–creepy and threatening, really–trend to use interconnected networks on the Internet to squelch your individual voice, you HAVE one, and it is your human duty to exercise it across ALL media. It’s called integrity, and it leads to serenity in troubling times because it gives you confidence. And if you can capture–or bottle–some of that in a blog post, or a mix CD, or a painting; work on a vehicle or a piece of furniture; a biz plan outline, a stream of photographs, a poem, an essay, a sketch…comprehend that it is creation and you are creating it. The world ALWAYS needs more content!

I am old enough to remember when the drum machine and the synthesizer appeared in the music market. The critics opined that now you don’t have to hire a drummer, or a string quartet, or a horns section. Then digital recording came along; now you didn’t have to rent an entire studio; you could four-track in your folks’ basement. Then came the worst evil of all: the sampler. Just go ahead: rip-off and re-use any break you could load into the computer. Music has not suffered from these advances; it has grown and proliferated and been brought to the masses. Anyone with a mind of their own now can Garage Band themselves into the public’s eye. I have to applaud the effort–or luck–that it takes to leave a message that potent in the past for yourself: you get to live with it. Did you fuck your brand up? Probably not; in fact, I bet you built it–it’s like character.

Going back through old mixes and compilations and poems and stories, I am certain that I am continuing to be sincere and amazing. It is important that I recognize that these creations are love-letters I am leaving myself; it does not matter that sometimes I feel like I have an audience of one. Someday, I might have an audience of one more: some other creature that gains knowledge or strength or spirit from some message that I have left for myself. I certainly gain wisdom, knowledge, and opinions–experience points–from other people’s efforts on- and off-line. That’s icing on the cake.

In My Basement

Posted: August 15, 2002 in Poetry
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I am trying to find god in my basement.
In my own house (well, that I rent) –
To tell you the truth, it’s money well spent –
But in this wash of club fog,
These hyperkinetic lights,
This irrepressible sugar pop sound,
It swears to me that life is sweet.
Maybe only in moments like these.
But in certain spiritual lyric coincidences
I detect some karmic, cosmic communication .
A certain wink from the vertigo;
A nudge in the ribs from my madonna.
Ridicule from the turntables
For not expressing myself and my soundtrack
Every moment I breathe.
Is it prayer to spin records
And cry out when the experience hits you?
Or is that reserved for holier orgasms?
King of my kingdom,
Finding that I am god
In my basement.

To be a DJ

Posted: February 10, 1993 in Poetry
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the DJ comes with a lot of power: the President,
me (the good one) surprises and pleases
eliciting happy yells smiles and sighs from the crowd;
it is all for me.
I see faces light up as they soak with sweat
dripping shaking moving all around,
recognition of another song loud and in your ears
smashed into your face by 1000 watts;
they’ll dance harder than the last song,
move faster, become natural.

people stop listening and start feeling
the rhythm bumping along, house style, steadying
while the dancers elaborate
or flips to a fill-in breakbeat; the New Jack Swing
where you just try to prevent your butt from moving
or suddenly the song makes you cry
or sweeps you away in an enthusiastic mosh pit
or brightens your your eyes with something
you haven’t heard in a long time.

some DJ’s get stuck in one record groove
but the best surprises always compare and contrast
yet find a common thread that dancers’ bodies understand
but that I’m at a loss to explain.

what to spin next turns into the most important decision in the world
and it will be like this until I have to choose the next.
my head reels from the network of songs to choose from:
this beat would fit, this sentiment would meld,
this intro would trip, this track overwhelm
when you’re dancing, flashing colors of flesh
I’m mixing sweat and body heat
I mix you together – you whirl with my turntables.
eyes fly out of the mass of movement,
catch mine and flash like the strobelight.

I lean over to catch an excited request
to straighten my precious stacks of wax,
screams as someone recognizes what I’m playing:
playing with them
watching their reactions.

my emotions flow through my hands to the vinyl;
you can tell what I feel by how well I play,
drunker on you than on the 40s in my crates.
I turn your music up beyond hearing
and you feel it;
supportive
moving you –
you translate it to your ass your hips your hands.

the more you feel the more you learn.
learning to dance, learning to love someone new,
learn to understand what I’m saying.
I’m backed up by the best talent I can find,
be it the PE, Madonna, Fishbone, Dead or Messiah
I free your mind with my many voices.

and I’m dancing as hard as anyone,
fingers searching through record sleeves
caressing beats to match, speeds to coincide,
boogying between the coffin and the crates.
searching carefully for any sign of discontent
remembering what people want
giving myself up to the group good time.

here, women shimmering with sweat
recognize and close their eyes;
the groove is a lover, a beat
that chases between their thighs, over their stomachs
and up their spines;
unconscious every one is beautiful, so hypnotized.

here, men swirling around throwing arms in the air
touching the ground on time, on time.
intent on dancing, on laughing, on glancing back
at those girls I’ve just described.

every person I can find I train my recorded charisma on
cajoling with individual requests
urging on with the party songs
twirling all of this sound and poetry into a rumpus room
out of love for you.