Posts Tagged ‘Soul’

I.
There was a woman
Who I loved with all my heart.
It’s the only way
I know how
to love.
The problem I have
With falling in love
Is that I just keep falling
And falling on through.
It’s a perpetual autumn;
Storming leaves of memories,
Possibilities,
Skeletal trees.
And turning my collar up
Against the cold of this world.
Holding my hands out
To the warmth of the fire
That we had kindled
To keep the darkness at bay.
Every time these things end
I look up from the glow
Of the smolder, the embers,
For the ignition of a smile,
That familiar, beloved synching
Eyes to eyes:
It’s just understood
We’ll revel in the work
To pile on more fuel
From our common woodpile.
But nobody is there
Across the coals from me;
I’ve fallen through
The bottleneck of the hourglass
Along with all these ashes.

II.
Songs get tied
Like complicated knots
Around my feelings;
They remind me of how
I used to think about forever.
Some are bright blossoms
Stolen from yards
On the way to your window
In the middle of the night
To kneel and present you
With a moonlit bouquet,
My Juliet.
Another is the crosshatching
Of spray painted poetry
Hanging in midair
Amongst the tree branches
Between the shadows
Of the stars that were ours;
Witchcraft and wizardry
For an unrelenting passion.
Tapestries of smoke
And of tie-dyed freedom;
Soft paws of haloed kittens,
The chocolate and the champagne
Of the once in a lifetime.
Threads on a magick loom
Synchronicity unparalleled,
Spiderwebs like a hammock,
An embrace as if I was coming home;
Touch burning like the fire of a faerie,
Or the resurrection of the phoenix,
Tracing sigils in the sky,
Re-ignition of belief
Like a firestarter
Or finding a soulmate.
I am haunted
By the breadth of my music
And the depth of my commitment.
The failure
of my eyesight.

III.
The carnage is absolute;
A battlefield strewn with my corpses,
Beer cans and shrieks and cigarette butts,
The best of intentions and
The stench of taking things for granted.
These raw wounds
I have sustained over my lifetime
Of loving how I should have been loved
Never seem to heal;
They just ooze and pulse
Making heartbeats painful;
A crazy accumulation of luggage
Like owning an airport carousel
Of baggage you can’t strip off.
It just grows with you,
Older and less attractive,
Smelling faintly of urine and gangrene
When you can’t bear
To perform the required surgery.
It hurts too much;
I’ll excise memories I want to keep
Along with the decaying flesh.
Retrospective or post-mortem;
It’s still the death of a relationship
That I thought would live forever
As if I had infinite chances,
Infinite quarters.

IV.
I was pinned to a mortarboard
Like a butterfly from a caterpillar,
When I had to eulogize my friend;
My brother, my partner-in-crime,
Someone who understood
By the merit of not being female
The depth of love and an enduring relationship.
I don’t ever want to do that again.
It is the same with love;
I know I can, and it will be better,
But the pain of losing someone to provoke that work
Is too much to accept;
Besides, who the fuck will do that for me?
The answer is as clear as hindsight:
20-20.
I listened to my voice echo hollow through a church
That he wouldn’t have appreciated
To the people who were left behind,
And became even more haunted.
I did my best to represent,
Tell tales, romanticize, believe
And I went home with ashes in my mouth
To cry, cry out, want to evaporate,
Disappear, erase myself from existing
Because I had lost something precious:
A true friend.
It’s a lot like losing your love
Because you have lost a friend.

V.
The light switch is off.
This is the eye of the storm for me.
Now I deal with the still shatter of leaves,
The cold of being alone,
And shoving my hands into the campfire.
There is no warmth.
This destroys the fabric of memories
That took deep commitment
And sweat equity;
Deeper resources than I had without you.
And I see them all retreat,
As if they never existed;
Vanish into the thin, thin air
That I breathe.
Flatlined.

VI.
To move along,
Because there is nothing to see here;
It’s a pretty penance,
My cross to bear;
One that gets weightier
The more years I carry forward,
This boulder I am pushing uphill.
It’s that lost luggage from the carousel;
It’s those old wounds from the battlefield;
It’s those lyrics of happier times
When I would write, compose, sing
Of how I loved being in love
And how I expected forever
But you only had right now to give.

VII.
Perspective is a function of wisdom,
Which is a byproduct of experience,
That is what happens when you live and die
Through these things.
Perhaps they build character;
Actually, they create defense mechanisms
To try to prevent this from happening again
And again.
Expectations collapse
And you lay bricks and mortar in the fortress
That you think will keep you safe
But not sound;
You all are quite persuasive.
Certainly isolated
In the aftermath
Of bequeathing your everything —
Heart, mind, soul —
To your everything
Around that campfire
And you look up and discover
That she is long gone.

The results of dishonesty

The results of dishonesty

There is a hole in my heart, and I can’t contain the light that is pouring out. This is the brilliance of truth and the refraction of soul. This is the damage that is done to a human being when you are betrayed, blinded, backstabbed, and belittled for trying to be more understanding than is humanly possible to be. The Froggacuda has held his enormous, razor-sharp, whiplike tongue long enough, and the slings and arrows, the sticks and stones, having come from all quarters, determine that the defense of the 360 degrees is back by popular demand, and must be enforced with the unpredictable and uncanny gusto that is the Monster from Red Lake.

This site has been populated with what I once was and, apparently, what I still am made of: not snips and snails and puppy dogs tails, but fifteen years of poetry, ten years of making music, five years of DJ mixes, and one month of unemployment later, I am sitting all froggy on top of a pile of meaningless (to you) shit that perhaps someone will wander through and find a gem or two amidst this midden heap of detritus. Although the catharsis of inputting and then burning all of my available poetry journals is healing, it tears a lot of scabs off of present and historical wounds that should have been viciously expunged with a gallon of Bactine and a scalpel when the damage occurred in the first place. Except that I am a coward.

I don’t know why I am so creative; why I am able to pour my guts out on the kitchen table and read your fortune in them like some sort of Street Shaman or modern-day Gypsy — to help you, only to stuff my innards back into this ridiculously fat and out-of-shape barrel-like body of mine, smile, pat your head, tell you I am alright, and send you on your merry way with a little bit of Murdoch perspective to think about. It’s what I do.

I am so brave when it comes to telling the truth to other people. In my own private hellish closet where the real me lurks and shakes his fist at a world that I never asked to be a part of, I tell myself I am making the best of it. I live, I love, I breathe, I get up in the morning, I go to work (when I have it), I get shanked by friends, family members, acquaintances, business partners, bosses, co-workers, Sunday drivers, wives, fuck-buddies, Internet personalities, and the population at large, and it all it really makes me want to get this thing called life over with. That’s why I am trying to smoke and drink myself to death like a modern day Charles Bukowski. What is the point of all of this happiness and misery, anyways?

Seriously, what is a blog for besides spitting ridiculously self-centered screeds to an unsubscribed and uncaring Internet where my body of work will be lost as another couple of drops in the ocean of half-formed content scrabbling for purchase or publication like so many Lovecraftian half-formed nightmares populating the craptacular pages of the 21st Century’s equivalent of pulp fiction: WordPress.

I was going to wait until I had everything I had ever done (or at least kept and found again, only to be re-humiliated by rediscovering it) pumped into this overblown MySQL database before I started ranting again, but enough is enough, and the tongue must be let loose to rave in the dark as an orgy of one. It is terribly frustrating to understand that the highlight of my life is the eulogy I gave in a shadowy, barely filled cathedral for one of my best friends Bela Feher, who I miss like an arm or a testicle (he’d love that) even now, and I DAMN him for falling off of a big rock and leaving me here to struggle through this bullshit they call life while trying to console myself that I can’t die fast enough and that his wisdom, magic, and sarcasm is still contained within every ray of light from the hole in my heart.

[ original image courtesy of www.basehead.org ]

Devious Thoughts

Posted: December 4, 2002 in Poetry
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I
Once upon a time
I would run around naked
With my blanket as a cape
Caterwauling before creatures
Only I could see.
I was frightened precisely
Because it was so much fun:
Shrieking and then hiding,
Elaborate intrigues unfolding
From the adult trialogues
Taking place between heart, mind, and soul.
They would discuss me,
My imaginative situations,
And whisper between themselves.
I knew what was coming
When they would fall silent,
Anticipating.

II
I learned devious means
To avoid being eaten each night,
Or on the walk home from school.
I also understood
From the internal trinity
That sometimes it is best
To keep quiet, and tell no one.
Making friends with the monsters –
That was the master stroke.
But I remember why:
They just weren’t as scary anymore
As the reality of classmates.

Introducing the Muse

Posted: December 7, 1994 in Poetry
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I wonder, as the Poet,
if you care what I say here;
these words may only be
patterns or statistics to you.
The appreciation is when organs move
— some passing of spirit
through your flesh,
a Magick spell which,
uttered, or even read,
evokes a thump on the heart-drum or
a tangle of the air in your lungs.
When the eyes are slightly moistened
beyond necessity or that which can be played off,
when the lips subconsciously part or move with the sound
as if to kiss the flowering thoughts,
to sip from the cup of each syllable
— then the letters become words,
translated back into ideas,
reconstructed in a different mind,
personalized to a different environment
— accurately speculated back to
the willpower of imagination that birthed the poem.
My Muse:
she is a bashful widow who hangs her veils thick,
like laundry on a street with no electricity.
A glimpse of the rare beauty,
your eyes to her holiness,
always too quick for detail, yet
that soul-string hums
with some instinctual empathy.
I tend to stutter during introductions
because I never get it just right.

I
I love you most
when you are sleeping
and around the corner
I am peeping,
shadow in the box of light
that falls from the living room;
I hear the rain is coming soon
from the whish of the wind
‘round the corner of the front porch
lifting the edges of your hair
while you sleep tight.

II
time alone, quiet and silent
a peaceful drizzle outside
and a long nap under my belt
is good for a busy soul,
bustling with errands:
remember the value of free time,
lazy time: laziness is an
art form that can be productive
in its own sense — money
is not everything.

III
the Elves are gone.
it is the Age of Man;
can we continue
pointing arrows
at everyone
until there is
nothing left?

Sometimes it’s hard to find myself,
camouflaged and hunting fears by
hiding underneath the lilypads.
Like fear is going to to assassinate the Froggacuda?
But the memory is that if that is what it is:
a feeling lost and sunk in the swamp it was born in;
a beautiful first and last of its kind,
bred from books and desires and pirate gold,
from lost helium balloons and forts under acacia trees.
The Froggacuda is nothing without
one poet of keen eyes and quick hands,
a child catching frogs in the bog alone near dark
with a flashlight and an overactive imagination
full of Dungeons and Dragons books and Lovecraft stories.
Nothing is the Froggacuda without the puppeteer
who makes the teeth snap shut
and the eyes roll,
the ears perk up and the lungs breathe.
But nothing is the puppet-master without
those teeth, eyes, ears, and lungs
beating, breathing
in his self-esteem, his soul.

Untitled Poem #157

Posted: April 3, 1993 in Poetry
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a car travelling with my soul
in the passenger’s seat: this is time
and I watch fields of wheat breathe,
amber waves of grain…

an organ plays melancholy from a building
and people pass, they do not hear,
too busy looking down when I have stopped
to listen for the sound of the wind:
echoes and ghostlike spirits of memories.

I cannot explain the music I hear,
be it cacophony or pure, ringing clear,
perhaps the different drum I march to.